Title: The Unvanquished
Author: William Faulkner
Source: Grandma Rose's eclectic book collection passed on to me because she enjoyed it recently
Title: The Unvanquished
Author: William Faulkner
Source: Grandma Rose's eclectic book collection passed on to me because she enjoyed it recently
Title: Educated
Author: Tara Westover
Publication date: 2018
Format: library e book on kindle
Source: book club read for 2026 recommended by a member
When I read books on Kindle and/or audio from my Library app, I return them right after I finish. I can't really flip through the pages to reflect on what I've read as easily which makes it a bit difficult sometimes to recall certain key standouts.
I remember feeling that the first chapters felt very magical and descriptive (even though there was a tone of sadness which is overarching throughout the whole book even though the reader doesn't yet realize how dark the narrative will get later on in the story.)
This is a memoir about the author's childhood growing up on in rural Idaho. Her father (parents) might be considered extreme Mormon fundamentalist survivalist types. She was born in 1986. For the most part she and her siblings never attended public school, had formal government documentation, or did conventional doctoring.
This in and of itself might be considered shocking to some. Not to me so much. I grew up in some ways very similarly to Tara - thankfully minus mental illness, cruelty, and such extreme isolation; but in other ways, I could imagine her life perhaps much better than some others.
My family was self employed like her. We relied on each other for our primary source of socialization. This was a very positive experience for me (sadly unlike the author.) Also in common - Tara had certain natural elements in her home landscape that were anchors of identity in her mind and story. She frequently references the mountain "Buck's Peak" and a rock formation known as "The Indian Princess." I related to that a lot. I felt that key nature images of my home landscape were as much a part of me almost as my family members: the rock formation we called "the Monkey Face", the canyon to the southwest we called "the Reyes", and many other trees, canyons, streams, and so forth which were contexts in which my imagination flourished as a child. (I was in a safe environment where nature explorations were not where I went to hide (although maybe some of that) but were encouraged as part of learning, play, and work.)
Like Tara, my Dad maintained a stretch of our phone line when I was a kid meaning that when there was a storm, it didn't work for awhile. We had a generator for power and also used kerosene lamps sometimes. We homeschooled (although not for our entire education) and were involved with helping with the family business. Like many rural westerners, we maintained a healthy cynicism about anything government related and tended to rely more on ourselves and/or other community members rather than professional or government support. We also were conservative religiously and held to fundamentalist beliefs in many ways.
That's pretty much where the resemblance ends. As the story progresses, Tara slowly reveals the deep dysfunction, fear, illness, and disconnect that characterized her childhood in many ways. Her story is very sad and there are deeply disturbing parts. I kind of felt like sometimes when you see something horrible on the news and you are repelled but you can't take your eyes off the screen because you're so morbidly curious. There are episodes of physical and psychological cruelty, but it is also a tribute to human tenacity and her spirit shines through as she overcomes many obstacles in order to go away to college, become a scholar, and eventually forge a new life.
I think one of the most interesting parts of the story is how Tara had to re-invent herself as a young adult. I can kind of relate to that in that when you grow up in a rural lifestyle, there is kind of a learning curve to normal suburban or urban life that is very different. Things like going to the doctor or figuring out how to travel, what to wear, and also filling in cultural gaps that might exist (in her case because of not studying history) (in both of ours not having television).
I think as a reader, parent, daughter, one of the most painful parts of the story are her repeated attempts to reconcile with her parents and assist her siblings. It shows how deep-rooted is the desire to have an intact relationship with our tribe no matter how far we physically and spiritually move away from them. Just as a literary aside, I sometimes felt that the voice was very distant and numb in the recounting. Not sure if I'm just intuiting a survival mechanism employed by the author in the process of which she endured which leaked over into her storytelling. Not sure.
Sharing this story must have taken a lot of courage and I hope that in sharing, she has found healing and also a community of people who might also discover needed solace and connection.
Title: Mating in Captivity
Author: Esther Perel
Published: 2006
Version: Audio book read by the Author
Source: I think Esther Perel was referenced in another book I was reading but I can't remember which one (an anthropology book?) I read one of her other books and have listened to her podcasts.
This is one of my book club's 2026 reads (I'm ahead kind of on accident - it popped up on my library app)
Genius, fascinating, riveting, mind blowing.
This book has been around a minute. It's 2026 and I'm just discovering Esther Perel (within the past few years). She's amazing! I realize that I'm prone to gushing but she is so gushworthy. Let me just begin with this blurb from the book description which says so much.
Mating in Captivity: Unlocking Erotic Intelligence by Esther Perel explores the paradox of maintaining sexual desire in long-term, committed relationships, arguing that domesticity and intimacy can stifle lust, which thrives on mystery and individuality.
It doesn't take a Sherlock to figure out why this book might not have been circulating in the arenas I traveled in. If you want to read something about sexuality that offers a multi-cultural global perspective and plenty of real life examples from Perel's work as a therapist, you will love this! Esther's insights are compassionate, novel, sensible, and sensual all at the same time.
I can't imagine anyone who wouldn't find this topic at least mildly interesting. I think one her primary offerings lies in challenging cultural biases, assumptions, traditions and in offering language to talk about this topic. One might assume that our culture is overly saturated with sex, but Perel really highlights the extremely polarizing views that Americans (United Statesians) have about sexuality. She explores this through sharing stories of her many clients/patients as she helps them unpack their deep seated beliefs about sexuality and particularly as it applies to committed relationships. She points out that it's surprisingly difficult sometimes to discuss fears, desires, dreams, and even erotic fantasies with one's own partner but again and again she emphasizes the importance of doing so - with care. She is not an advocate of "tell all" or that self revelation is always kind or helpful. I appreciate this. She emphasizes communication and exploration but also the importance of individuality as a catalyst for eroticism.
What I greatly appreciate is that this is not a reductive formulaic self help book in any way shape or form. It's more like an anthropology book that acknowledges the nuances and complexities of sexuality and offers mind blowing ideas and ways to think differently about it. She honors the huge value that stable relationships have to families and societies and I think her work is very pivotal in building a vision for coupledom that can take pressure off of the highly romanticized version of modern partnership that can be deeply disillusioning and crumbles under the weight of heavy expectation.
She is truly a brilliant writer as well as thinker. Gush Gush. I know. Her multi-cultural experiences and background add a rich and unique layer to her research and case studies (in the trenches) therapeutic practice.
Source: library ( It was recommended by google to learn about Taoism)
Publication date: 1982
Title: The Tao of Pooh
Author: Benjamin Hoff
I discovered this book through some research I was doing on Daoism. This is part of a curious quest I've been on re: how people (of various cultures) view God and if they believe in God (s) whether or not they think God is personal.
I know very little about eastern religions/philosophies. I have assumptions and ideas I have absorbed in a general sense but that's about it.
I see why the author chose to take a well known and well loved western figure in children's literature and point out his characteristics that align with Taoism. From the author's forward: "That was when I began to get an idea; to write a book that explained the principles of Taoism through Winnie-the-Pooh.."
The author explains that Taoism is infused with lightness and humor so I can see how this idea formulated. The author integrates core principles of Taoism with celebrated Pooh stories. (I kind of skimmed over the stories - and just focused on the applications) As I sped read through this and made some bullet point notes on my phone. I thought how very "western" of me, trying to extract the main points as quickly as possible so I can go on to to cramming my body home or brain with the next item that I "need" to purchase, eat, or learn. (that's not entirely true but sort of .)
Nonetheless. What a great reminder of some unhelpful things I've been aware of trying to shed for some time and some touchpoints on how to embrace a different way of being. *It's extremely difficult to unlearn principles and patterns that have been handed down through generations and perhaps genetically honed into my DNA. I won't ask that of myself too much because that wouldn't be "the way." Yet, much to ponder...
"Daoism" - "Taoism" - synonyms? AI SAYS
"the Way." I love that. Bear with my notes; ("bear" - ha no pun intended.)
A Therapist, her Therapist, and Our Lives Revealed
Lori Gottlieb
source: Libby app on Kindle
I found this memoir to be endearing, charming, and actually riveting. It kind of reminds me of my girl Liz. (Gilbert author of Eat, Pray, Love) in the style and in her humor.
Reading this made me feel like I was having coffee with a best girlfriend and she was sharing funny anecdotes about her own life (and if a therapist could disclose info about her therapy sessions) which she does with caution (see initial disclaimer about her process in carefully selecting stories for this book.) Lori talks about her own life: from her decision to conceive a child by selecting a sperm donor, her sudden breakup with a fiancee, her early adulthood career explorations, and her quirky therapist who helped her through her grief. She offers snapshots of her work with several clients: a short-tempered tv producer who lost a child, a woman navigating cancer, and an older woman deciding if she wants to continue to live. The chapters kind of bounce back and forth between all these different stories which was pretty fun actually.
There's nothing that fascinates me more than human beings which is I've concluded why I've always loved books, literature, analyzing myself, my family, history, anthropology, and of course psychology!
I've also experienced therapy (although not much.) I found it very fascinating to read this book which clues you in to the way a therapist thinks, the processes, some of the patterns that occur. It kind of reminded me of my years as a massage therapist in that you try to be really present with your client, and make sure that you're making the session about them (ie not talking about yourself too much or usually talking at all, steering conversations away from oneself, sharing personal information that might detract from the therapeutic relationship.) Also, it reminded me of how a one hour therapy session (massage or in this case psychology) can feel like a magical time capsule where you're in a liminal space that's not work, family, or some other compartment. If done well, it can feel liberating to take breaks from the roles that enjoyable as they are, can be taxing.
Lori is extremely wise, so wise! Oh, can I say it's definitely also a midlife re-alignment book, because duh all the wisdom we older women accrue through all these bumps, bruises, and stuuufffff.... So I related to her in that sense. Also she had a circuitous route to her eventual career choice and reading that also connected with me. She was a journalist, a medical school student, eventually a psychologist, and still a writer, and not least of all a mother.
She touches on the artistic process and how for her, it needed to be authentic and not just something that would sell or "make sense."
There were a lot of moments in the book, where I would feel like "yes!" that resonates so deeply. One was when she talks about the hierarchy of pain and how it isn't really helpful. I actually undermine my own grief and pain constantly by comparing it to what I think are greater degrees of suffering and pain than what I experience.
"Lori emphasizes that "there is no hierarchy of pain," meaning suffering should not be ranked or compared because it is not a contest. She argues that minimizing one's own, or others', emotional pain is destructive, as everyone’s experiences are valid and worthy of compassion.
This book is nearly driving me to madness. No wonder it captured the interest of posterity though.
A little backdrop from my childhood:
When I was four, I was staying with a relative who let me stay up late at night and watch Dracula. I was a very sensitive child who rarely watched tv at all so this made a huge impression on me. I remember being terrified of bats flying into my window. To this day, I remember the images of those black and white figures from the (1931) version??
Now, after I finish reading this, (currently 80% through) I must prepare myself to watch the movie for the first time since I was four years old. Will its hold over me be amplified or dispelled?
I'll let you know.
We Open: (Spoiler Alert)
The novel started out strong with a riveting opening recounting the tale of Jonathon Harker's visit to Transylvania as a guest and solicitor to the mysterious Count Dracula told through the medium of his journal.
This audio book has two readers; a male and female and they are truly amazing; fine reading and even different voices and accents for the different speakers. (Duke Classics audio book version - there are several)
This is where I rant for a second:
Dr. Van Helsing's long monologues began to wear on me in the next portion of the book which takes place in England. He was tending poor sick Lucy who had a penchant for sleep walking to the graveyard where a tall dark figure was found "bending over her neck," I couldn't wait for her to either convalesce or perish as quickly as possible. Firstly, her sickly sweet Victorian female persona was more than mildly annoying.
It's a book of its time; as the ladies are always being gently shafted out of anything interesting, are more virtuous than angels and are never even for a second brought down from their lofty pedestals to anything resembling normal human behavior. Seriously, vampire Lucy had a lot more personality than her human predecessor; it was almost a shame that she had to have a stake driven through her heart by her poor ex fiancée who also kind of suffers from one dimensionality.
I'm not even finished with the book and I really don't know the plot so I'm committed to finishing it so I can watch the movie (s). I just had to rant about it a little bit to get it off my chest.
The author also likes to ramble along a bit too much into side characters who have little to do with the main story line.
I'm a sad person of my time who just is in a hurry and wants people to cut to the chase just a little bit more. I'm usually nicer to authors who are still living sorry Bram; if you're reading this from the hereafter; I'm sure you understand my perspective. I've never once fainted because of being shocked by something someone said so...
Ok; one more thing. The "guys" form a vampire hunting guild and have all these secret meetings and stakeouts that would be "ever so much for poor Mina" so they leave her alone at night in her bedroom....
Excellent idea guys. Guys who does visit her while you're out "working?" The man who harnesses the mist and flows through cracks in doors, materializing to mesmerize and bite. She doesn't want to say anything about her "strange" dreams because it might worry them? They don't do any serious inquiry about her strange onset of paleness and fatigue that poor Lucy suffered from and "died" from like last week?? Oh by the way have we noticed that her teeth are getting sharper? Best not speak of it; she might faint.
Also bro doesn't put it together that his mental patient Renfield is obsessed with bats, blood, and has a "lord and master?" hmmm. Could these things be connected somehow?
If Van Helsing would do less talking and hinting around the subject and more fact connecting... well.... the story could be less tortuous and shorter.... Also Mina might not have Count Dracula attached to her slender virtuous Victorian neck.
Human History of Vampires
I'm no connoisseur of things horror, gothic etc. I'm not versed on this stuff; but a cursory plunge in google has informed me that legends of blood sucking monsters are rife in ancient folklore from multiple civilizations, people groups, and different continents.
I watched Twilight so I know Bella did her research. I'm a sucker for unrequited love y'all. Bram was doing his research and he claimed that his story had a solid foundation in true events. Ooh that's spooky.
Addendum. Last night I watched the 1958 version with Christopher Lee The Horror of Dracula. Many claim it is the best most accurate version. While some of the facts were different, I liked it a lot. It was a little suspenseful but not too scary. It captures the essence of the prominent characters and the basic plotline. Plus my daughter and I died laughing watching Christopher Lee scamper up the stairs with his long legs two at a time. I honestly don't know why we found this so hilarious, but we watched it at least 3 times.
My favorite thing about this read was that the author writes as if she were talking to you while she's doing your hair and you feel like you're her best friend.
She's a great storyteller and this is a fascinating tale about how she started out as an emergency relief worker and ended up in Afghanistan starting a non profit Beauty School for women entrepreneurs.
There are lots of anecdotes and interesting cultural experiences. I know very little about the culture so reading about some of their customs as well as the many different people groups/ethnicities/ that exist within the country was eye-opening.
I see that she has several other books out there and I added one to my list.
One thing that really stands out is her fearlessness. A lot of people prize personal safety above all else. She went boldly and relied on her wits and ability to connect with people and I really admire that. You could say that there were multiple points where her life was unstable and seemed on the verge of extreme calamity - yet there she is "in the arena" as Teddy Roosevelt memorialized and Brene Brown has expanded on.
Her life is full of color, adventure and yes peril! Very different from how my life feels currently, but very much how I imagined my life would be when I was younger.
Maybe soon Deborah
A kindle read from the library.
Nemonte is a Waorani woman. See bio below from: Amazon Frontlines
"Nemonte Nenquimo is a Waorani woman, mother, and climate leader, who has dedicated her life to the defense of Indigenous ancestral territory and cultural survival in the Amazon rainforest. She is the co-founder of Ceibo Alliance and Amazon Frontlines, and has won the prestigious Goldman Environmental Prize."
When I was a kid growing up in an enclave of evangelicalism, some of our heroes were Jim and Elisabeth Elliot. Jim Elliot and Nate Saint were killed in an attempt to evangelize indigenous people in Ecuador (the Waorani people then known as "Auca.") Elisabeth Elliot and Nate Saint's sister Rachel (featured in this memoir) returned to the area to try to establish influence with the Waorani.
Although I believe that the evangelizers were trying their best to follow an ideology that they had persuaded themselves to believe and were themselves a victim of (I understand I was there), it's heartbreaking to read firsthand about how such doctrines negatively impacted others and how the Waorani people were abused and manipulated by people who hoped to "save them" or exploit the resources on their lands.
Nemonte emerges from oppression and seeks to integrate her own cultural identity with the one that has been imposed on her by outside forces. She is broken by abuse at the hand of "missionaries" and by the messages that she had deeply internalized that would lead her to believe that she and her people were "less than." As the story continues, she discovers healing and succeeds in forging a new life that embraces progress while maintaining an allegiance to deep cultural values and practices.
The reader is taken on a quest with Nemonte who finds her voice, her unique role as a unifier of her people, activist, dreamer, partner, and mother. She reclaims the beauty of her heritage and unites her family and the greater community to defend their lands against those that would seek to harvest and destroy.
On a personal level, as someone who has recently emerged from religion and cast aside doctrines that I had long found distasteful but now openly disbelieve, I found myself identifying with certain parts of her story when as a child, she continually prayed to God "the white man's God" hoping for some kind of supernatural experience that never happened. What she did experience were dreams, visions, and symbolic messages linked to her heritage that served as guides. You can call this god or not, I'm not sure what it is, but to me, it solidifies my position that there are many different ways of tuning into the mystical. The minute that one person claims that one way is superior to another, or that the experience that they have had is somehow something that everyone needs to have, is where I walk away. I'm more than saturated with that attitude.
As strange as it may be for some, the deep indoctrination that all other mystical experiences (outside of a certain Christian one) should be viewed with skepticism and mistrust and are likely demonic, is hard to shed. I really enjoy being able to read, watch, listen to the stories and art of others without the fear of being "tainted" or worse falling under the influence of the devil.
Thank you Nemonte for being courageous and sharing this fascinating story.
Liz Gilbert captured me with her famous memoir Eat Pray Love which I read years ago when I was living in London. I've written about two of her other books on this blog: Big Magic, and The Last American Man. It's safe to say I'm a gushy fangirl. In fact, I think I've read all of her books. She's brilliant, funny, authentic, candid, confident yet vulnerable.
https://www.annehillerman.com/
I recently discovered the new free library app "Libby." I used something similar years ago called "Overdrive." I didn't really think I liked mysteries all that much. I thought I left them behind with Nancy Drew and the Hardy Boys which I did read my fair share of back in the halls of Maricopa Elementary School.
Through exploring what genres work for me to listen to in short bits (commute of 15 mins and 30 min lunch breaks, while folding laundry, working in kitchen) I've been finding that these mysteries are ideal.
I previously mentioned that I had watched the new series Dark Winds so when I happened upon this book series which is the basis for the storyline of the show, it was perfect. I'm obsessed with the four corners region and the author sprinkles in plenty of landscape lore (just for me I presume.)
Anne Hillerman created a spin-off series from her Dad Tony Hillerman's detective novels set in the Navajo nation.
Have I shared in these rooms that I'm a pathological skimmer? It's an atrocious habit that became deeply cemented during my English Majorhood at college where I took too many classes at once, and opted for insane History and Bible classes as electives because I'm an unabashed geek. (also extremely religious back then which only added to my general lack of frivolity.)
I arrogantly presume to be equipped to extract the succulent marrow of a work without taking the time to read each word. (I often miss really juicy bits this way.) One might reasonably ask how does a skimmer select which words to actually read and which to skip? I'm not entirely sure on this count. It's an intuitive process that cannot be explained, nor shall I try. But if I get bored I start to skim... And I get bored very easily - and it gets worse as I get older, not better.
Or I value my time more, not sure. Sidenote - I tried to wrap some gifts for Christmas last night. I tried to force myself to cut the wrapping paper in a straight line, to actually care about how the package looked. I'm telling you, it was extraordinarily difficult. It felt like a major waste of time and it wasn't like I had anything else pressing to do. But suddenly, I was giving myself some kind of a pep talk about why this was important. Why was it important you might ask? Because my daughter asked me to wrap gifts in actual paper, instead of jamming them into used creased Christmas bags like I usually do. (However, she said nothing about appearance of said gifts!) And I love my daughter so there.
All this to say, audio books can't really be skimmed. So I actually am "reading" the entire book and by that I mean every word. All the thes and the prepositions and articles. ALL.. Except for the bits that get drowned out by noisy clanking dishes when I'm in the kitchen or if I get interrupted by people whose monologues cannot be skimmed through (politely) anyway. I have found that you can only ask a given person to "cut to the chase" so many times without them completely rejecting your company. I myself am guilty of rambling monologues at times. I am a verbal processor after all. (we noticed.)
"A child's world is fresh new and beautiful, full of wonder and excitement. It is our misfortune that clear-eyed vision, that true instinct for what is beautiful and awe inspiring, is dimmed and even lost before we reach adulthood. If I had influence with the good fairy who is supposed to preside over the christening of all children I should ask that her gift to each child be a sense of wonder so indestructible that it would last throughout life..."
Source: Book Club
One of the titles on our mutual reading list with my fellow book club member.
Delightful read! It was originally written as an article.
I didn't realize how short it was because I checked it out on my library audio app and listened it. When it finished, I was startled, thinking I had accidentally only heard an excerpt, but no!
Rachel Carson was both a scientist and writer. She was born in 1907 and the book was originally published in 1956. The article is inspired by her forays into nature with her grand nephew whom she eventually adopted.
I then checked out the actual book from the library which included photographs by Williams Neill. (the photograph above is one of Neill's. I just found out he had made his home at Yosemite. Interesting as I just returned last weekend from a 2 night visit to Yosemite with my sister. It was my second time there.)
So some thoughts... Well, each entry is artfully crafted kind of like a journal but also like a poem. She talks about different experiences in nature throughout the seasons, ever conveying the way in which she experiences such scenes afresh as she introduces her nephew to their glories.
I've always been a parishioner of a sort of nature cult. Not sure if it was my early immersion in nature - for which I'm eternally grateful both due to circumstance and the adults who were willing/able to be guides. I have some scientists and naturalists in my genealogy on my Scot side - the MacMillans - keen observers and documenters of the natural world.
Anyway nature is a deep rooted value of mine and when we were raising our girls, I considered excursions into nature as one of the highest priorities for their education.
In book club discussion, we talked about nature experiences from childhood as well as with children. I loved hearing about the various experiences from mossy corners of backyards to Yosemite with grandfathers. It was a very poignant discussion.
Carson really inspired me to be attune not only to the sights but to what is afforded the other senses. Prior to book club, I had been on a walk at our river preserve and I was especially attentive to the smells and sounds - the tangy river/sage, sound of the quail, honking geese on their journey far above.
One of the things I liked about this is that the setting is the east coast so the descriptions are very different from the world we live in here California and the southwest. We had had a rainless spell lasting multiple months (common for our summers) so reading about wet verdant places was very refreshing. Her entries about a solitary Maine ecosystem reminded me of LM Montgomery's nature passages.
I wrote this in 2023 but never published it because it sounds so mean spirited and snarky. It's like looking into my snobby soul but as I was re-reading it it made me laugh - so here you go world. Be advised, don't read this if you're a nice person which I only pretend to be apparently.
You really want Helen with and H to find herself and emerge victorious with a grounded center and vision for her life. You are misled to believe that it will be humorous, poignant, and romantic. wrong wrong wrong.
In the first 3/4 of the film you are mystified with Jake's fascination and obvious pursuit of Helen. Firstly, her oblivion. Jake appears in every scene (mysteriously and rather stalkerishly) staring at her moonstruck. Such oblivion guides natural selection and prunes the race of man. Somewhere along the hike, he gives her a note - which she doesn't even bother to read and forgets about? Until she gets home and discovers that it's a gorgeous love poem. Still after putting some pieces together she passively does nothing until Jake just happens to appear (again) and then as if she's a Victorian woman with zero agency she responds finally to his love and it seems like you should be happy and feel that was the outcome you were looking for instead you are dismayed by their lack of chemistry and left pondering about his interest at all until you put the pieces together.
Helen - just seems like a pent up grouchy wallflower with a pathetic rescue bent so Jake's (charming, smart, charismatic, and handsome) obvious pursuit even when she is downright rude - right away screams "Made by women for grouchy pent up wallflower women." You really want to see past the grouchy dull exterior to the endearing Helen that her brother and Jake seem to see but she really never emerges.
Helen, who can't escape from being the rescuer and does she learn to do that on her hike? no.
Helen is so annoying on the hike at the beginning. The perfect combination of that person who wants to do everything right, be prepared, and is worried about everything but ignores basic common sense and becomes a burden.
The cusp of my annoyance. Finally towards the end of a hike, Helen and Jake have a tender moment and finally Jake's pursuit of Helen makes sense. (to me) He reveals that he has degenerative blindness. Helen is finally kind and sympathetic for the first time. Makes sense (she can fall back into her rescue trope.) In fact, the only time Helen shines in this whole movie is when she has to rescue and help someone (fellow hiker who broke leg) - revealing that Helen's only purpose is her ability to be a guardian and caretake for others. This is the beginning of happiness? Jake could have the cute and fun adventurous twenty something but would she take care of him when he was blind? Maybe not. Helen, on the other hand, middle aged, boring, fish eyed, and predictable - yes! Makes total sense - Jake is a winner on the natural selection tree and Helen perhaps too - not because of any romance between them but just because of his raw innate survival instincts and her inability to resist helping someone.
I think this is what really bugged me. I really wanted to believe that there would be a romantic something between the protagonists even though it was increasingly difficult to imagine. Then, the writers thought - aha - no natural chemistry - we'll create a scenario where he needs her so much - she can be his older sister/caretaker and that will satisfy our female audience? blech
Here's Helen's story - messy break up with loser husband - rebound to younger brother's friend who needs a caretaker. If you're looking for a romantic escape story, look no further! The sad thing - is that this probably resembles many real life stories and that's exactly what we don't want in a cinematic experience. We don't want to be reminded of the myriad practical reasons why couples end up together that have nothing to do with romance.
This is one of my book club reads nominated by a founding member. This was an awesome read. I love anthropology and sociology because it's looking at a vast cross section of humans and asking questions like, in this case: how can marriage be defined?
The answer is vastly more complex than one would imagine and so varied across time and place that coming up with a cohesive definition is nigh impossible. Here are a couple of attempts she references "commonly stable, mated relationships between males and females" which exists pretty universally except in one instance "the Na" people who raised offspring in extended family groups and apparently didn't or don't have a recognizable marriage institution. Another definition: "the set of legal rules that govern how goods, titles, and social status are handed down from generation to generation."
The author walks us through the centuries - starting out with broad strokes across the globe and then migrating more to decade based deductions from marriage studies (mostly in the US) from the last century. (the book was published in 2005). There are so many fascinating aspects to how marriage is organized and what it has meant. Is it about division of labor, shared resources, influential connections? Or is it the passing on of lands and titles, and resources? ...and all of these are true to a greater degree or another. Also interesting in how involved the extended family or community has been in the selection of spouses and in the actual lives of the couple. In most times and places spouses were integrated into existing extended family households or tribes where the concept of privacy for the nuclear family or couple would have been a foreign notion.
What is, according to the author, unique to recent history (the past 200 years) is the concept and expectation that marriage should be about companionship, love, and emotional intimacy. An expectation that she argues has led to a greater degree of marital satisfaction and quality than ever before but also has facilitated a greater fragility as people readily discard the institution if it fails to pony up the desired results.
The industrial revolution, feminism, ready access to birth control and other factors have radically altered the way in which societies are organized and has had deep ramifications for how marriage is viewed and what it means. We're in a particularly interesting time now as marriage (as she points out in the conclusion) at least in this part of the world is usually totally optional and relationships are more customized than ever before to the whims of the individual. That being said, she proposes that marriage still "gives people a positive vocabulary and a public image that set a high standard for the couples behavior and for the respect that outsiders ought to give to their relationship."
I think there may be something to that. Just like everything for many of us, the vast array of options and choices can be exhilarating but also paralyzing. It's tempting to hearken back to a time when expectations, roles, and institutions were more static. I grew up with a higher degree of focus on traditional marriage values, division of labor between genders (apparently than many of my contemporaries), but at the same time was encouraged to be independent and assertive as well. I think it's normal for people to have to navigate mixed messages and try to integrate them into their adult lives.
It was interesting to reflect on the fact that I entered marriage expecting it to look like "male breadwinner model" - a term Coontz considers to be a modern concept that never existed say for example in the middle ages where most women worked in cottage industries or farms alongside their spouses. I also (like most modern people) had extremely high "romantic" standards of what kind of companionship we would enjoy in our marriage (ie that marriage is the most important and central relationship of your life) - again not something that has been universally true in other times and places. For example, in the middle east where parental and sibling relationships might be much more emphasized in terms of closeness.) The expectation that marriage will be a built in friendship that will satisfy all emotional, sexual, and economic needs puts a huge degree of pressure on the marriage relationship that is definitely not always positive.